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An engaging read that explores independent documentary film in India as a site of resistance. This book looks at how independent Indian documentary film reworks the relationship between film-makers, their narratives, their subjects and their audience, challenging the dominant idea of documentary as a discourse of the real. Based on close textual analysis, conversations with film-makers and drawing on Breitroses cinéma-vérité film-maker as a fly in the soup, this work explores the place of documentary within the Indian public sphere.
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