Cinema of Choice

...a welcome contribution to the scholarship on film narrative. Ben Shaul provides thought-provoking commentary on how movies construct their narratives and the process by which audiences cognitively interact with them. [His] book should appeal to anyone interested in film narratology or cognitive studies of film, and is particularly relevant to those interested in experimental narration and interactive storytelling. · Projections...a welcome contribution to the scholarship on film narrative. Ben Shaul provides thought-provoking commentary on how movies construct their narratives and the process by which audiences cognitively interact with them. Ben Shauls book should appeal to anyone interested in film narratology or cognitive studies of film, and is particularly relevant to those interested in experimental narration and interactive storytelling. · Projections. The Journal for Movies and MindIn general, this book should be of interest to scholars in a number of fields and could be a useful didactic instrument for students attending courses on Communication Studies. The discussion may also be of interest to film audiences in general, as it offers a new hermeneutic approach to the understanding of films we see daily on TV or at the cinema. · Journal of Contemporary European StudiesStandard Hollywood narrative movies prescribe linear narratives that cue the viewer to expect predictable outcomes and adopt a closed state of mind. There are, however, a small number of movies that, through the presentation of alternate narrative paths, open the mind to thoughts of choice and possibility. Through the study of several key movies for which this concept is central, such as Sliding Doors, Run Lola Run, Inglourious Basterds, and Rashomon, Nitzan Ben Shaul examines the causes and implications of optional thinking and how these movies allow for more open and creative possibilities. This book examines the methods by which standard narrative movies close down thi