Confident Music Would Fly Us to Paradise addresses thejuxtaposition between fantasy life on an opera stage and silent roles of ordinarydaily life, and the ability to distinguish which is which. Much of the work hereis a response to the poets childhood when she was barely spoken to and onlyspoke if absolutely necessary. Themes explore the tension between silence andvoice, consider the non-verbal art of dance, and veer within trajectories offamilial relationships. Levins astonishing language is threaded on a through-lineof music.
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