For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osbornes complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osbornes life and work. Gilleman has also traced the evolution of Osbornes reception by turning to critical reviews at the beginning of each chapter.
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