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Re-reading Freuds writing on femininity, fantasy and social identification, Lost Angels expands the psychoanalytic framework within which contemporary debates regarding fantasy and spectatorship have been taking place. Vicky Lebeau takes Freuds preoccupation with femininity and feminine fantasy as her starting point and goes on to explore his differentiation between masculine and feminine forms of fantasy through feminist and critical theories of spectatorship and cinema. Investigating how psychoanalysis explains fantasy as a form of preoccupation which cuts across both private and public forms of fantasy, Lebeau links discussion of the female spectator with the so-called malaise of todays mass culture through her close readings of three key youth films of the 1980s - John Hughes Ferris Buellers Day Off, Francis Coppolas Rumble Fish and Tim Hunters Rivers Edge. Lost Angels is a ground-breading addition to current feminist film theory and essential reading for all students of film.
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