Patricia Highsmith on Screen
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491_9783319960517
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1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck.- 2. The Dark Side of Adaptation, Thomas Leitch.- Section I: Doubles, Copies, and Strangers.- 3. I Meet a Lot of Guys--But Not Many Like You: Strangers and Types in Highsmiths and Hitchcocks Strangers on a Train, Bran Nicol.- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezák.- 5. Tom Ripleys Talent, Murray Pomerance.- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck.- Section II: Queer Encounters.- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social.- David Greven.- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee.- 9. Easy Living: From The Price of Salt (78) to Carol (EP), Robert Miklitsch.- Section III: Aesthetic, Mythic, and Cultural Transaction.- 10. Adapting Irony: Claude Chabrols The Cry of the Owl, Douglas McFarland.- 11. With Friends Like These: Wim Wenders The American Friend as Noir Allegory, Christopher Breu.- 12. Hans Geissendörfers Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan.- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky.- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland.- Section IV: Adapters in Conversation.- 15. Memories of The American Friend, Wim Wenders.- 16. Highsmith really writes films, Hans W. Geißendörfer.- 17. An interesting lack of sentimentality, Hossein Amini.- 18. Highsmith was the queen of guilt, Phyllis Nagy.
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