Suburban Space, the Novel and Australian Modernity
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491_9781783088140
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'Suburban space, the novel and Australian modernity' focuses on the dynamic interaction between suburbs and suburbia as this emerges in a century-long series of Australian novels - in works by Christina Stead, George Johnston, Elizabeth Harrower, Patrick White, Christos Tsiolkas and many other twentieth-century and contemporary writers. It puts the often trenchantly anti-suburban rhetoric found in these novels in dialogue with their evocative rendering of suburban place and time.In the process, 'Suburban space, the novel and Australian modernity' rethinks perennial literary and cultural debates about suburbia - in Australia and elsewhere. It does so by putting fictional 'suburbs' (their multitude of imagined interiors, homes, streets, forms and lives over time) into dialogue with cosmopolitan resistance towards the very idea of 'suburbia' as an amnesic and conformist cultural wasteland. 'Suburban space, the novel and Australian modernity' explores the generative collision produced in novels between the sensory remembered terrain of the primal suburb and wider cultural critiques of suburbia. It is through such contradictions that novels create resonant mental maps of suburban place and time. Australian novels, in other words, serve as a prism through which suburbs - real and imagined, remembered and utterly transformed - can be glimpsed sidelong.'Suburban space, the novel and Australian modernity' is a coinage that highlights both the persistence and the renovation of literary forms by means of the suburb. The suburbs prompt writers to experiment with the forms of the novel. The very scale of the suburb is productive, enabling narratives to slide readily from microcosm to macrocosm, from the domestic interior to the globe. Like suburbia, the novel is a form that is both generic and specific, circulating transnationally yet taking root locally. The term 'retro' also refers to acts of narrative retrospection. Nove
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