A systematic exploration of Thomas Hardys imaginative assimilation of particular Victorian sciences, this study draws on and swells the widening current of scholarly attention now being paid to the cultural meanings compacted and released by the nascent sciences of man in the nineteenth century. Andrew Radford here situates Hardys fiction and poetry in a context of the new sciences of humankind that evolved during the Victorian age to accommodate an immense range of literal and figurative excavations then taking place. Combining literary close readings with broad historical analyses, he explores Hardys artistic response to geological, archaeological and anthropological findings. In particular, he analyzes Hardys lifelong fascination with the doctrine of survivals, a term coined by E.B. Tylor in Primitive Culture (1871) to denote customs, beliefs and practices persisting in isolation from their original cultural context. Radford reveals how Hardys subtle reworking of Tylors doctrine offers a valuable insight into the inter-penetration of science and literature during this period. An important aspect of Radfords research focuses on lesser known periodical literature that grew out of a British amateur antiquarian tradition of the nineteenth century. His readings of Hardys literary notebooks disclose the degree to which Hardys own considerable scientific knowledge was shaped by the middlebrow periodical press. Thus Thomas Hardy and the Survivals of Time raises questions not only about the reception of scientific ideas but also the creation of nonspecialist forms of scientific discourse. This book represents a genuinely new perspective for Hardy studies.
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