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Wingless Desire in Modernist Russia
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491_9781793605580

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In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russias volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkins Mozart and Salieri, became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state. Consequently, a new literary type emerged, and envy, described as wingless desire by Russias chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtins Author and Hero in the Aesthetic Activity (1923), Zotova proposes that Salieris envy could be the wingless embryo of the Bakhtinian authorship.
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