Diplomarbeit aus dem Jahr 2002 im Fachbereich Amerikanistik - Literatur, Universität Wien, Sprache: Deutsch, Abstract: I have never stopped loving childrens literature, and I have been interested in it as a field of research ever since I took a course on the history of childrens literature at the University of Toronto. When I started out on this paper I had little idea what it would be about, only that the focus would be on language. I knew I was fascinated by the subject so I started exploring the issue in general terms, reading more or less randomly about childrens literature, and reading childrens literature, before I decided on the structure of the paper and the texts I would use for it. My fascination for childrens literature is grounded in its potential for change and for development which is one of its major aspects. The fierce attempts to control childrens readings, adults prescriptions of what is good for them and what is not, have to do with this aspect of childrens literature which has always been considered dangerous by some adults, because there is nothing more powerful than the potency of the literary imagination. Fairy tales, which were viewed as suspicious for a long time, as the history of childrens literature shows, are a good example of this perceived threat. The question of what children should read, how much freedom they should have to choose, which ultimately comes down to the question if they should be allowed to have an imagination or not, has had to do with changing notions of childhood, on which the emergence of imaginative literature for children depended, but to which it has contributed a lot in turn. The question really is if childrens natural liveliness, curiosity, and open-mindedness should be suppressed, if children should be frightened, and kept in their place, taught to accept everything unquestioningly, or be offered what they need to develop and grow at their own pace, and develop into critical, self-confident, open-min
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