The Frightful Stage
Cód:
491_9780857451712
All essays are well researched and clearly written, with invaluable extensive bibliographies. They also illustrate the complexities of interaction between politics and culture and paradoxes in the use of the theater. · ChoiceTheater censorship in the 19th-century is a key issue for understanding relationships between urban society, government and new cultural trends. This book offers a large view of the different situations in Europe, showing both the specificities of each country and the converging trends, thus revealing the secret unity of theater as a forum in Europe at large. A very useful and finely composed book. · Christophe Charle, Professor and Director of the Institute of Modern and Contemporary History at the Sorbonne in Paris. He is the author of almost 20 books, including, most recently, Theatres en capitales: Naissance de la société du spectacle à Paris, Berlin, Londres et Vienne (2008).This is an exceptionally rich collection of essays on a key intersection between culture and politics in 19th-century Europe. The volume highlights the importance of wide-ranging censorship in European politics of the time, but also the social context in which theater could assume an importance that will surprise and inform a contemporary readership. Stimulating comparative insights cap a significant contribution to modern history. · Peter N. Stearns, Provost, George Mason University, Editor, Journal of Social HistoryAn excellent introduction to theater censorship for an English-speaking audience as well as for individuals who have the linguistic skills to carry out further, more specialized research. It brings out the similarities between theater censorship across Europe during the nineteenth century, but at the same time provides fascinating details of how different political events in each country influenced the types and severity of theater censorship. · Janice Best, Chair of the Department of Languages and Literature at Acadia University, C
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